Lachrimae amantis • 7. Lachrimae verae • 8. Semper Dowland semper dolens • 9 . Sir Henry Umpton’s Funeral • Mr. John Langton’s Pavan • The King of. Find composition details, parts / movement information and albums that contain performances of Lachrimae Pavan, for keyboard or on AllMusic. John Dowland: Lachrimae Pavan and Fantasie transcribed for Guitar by Karl Scheit. Lachrimae Pavan Fantasie from Robert Dowland’s ‘Varietie of.
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Although the cantus in particular is highly ornamented, it bears a close resemblance to the Wigthorpe outer parts in the same key which, of course, would appear to stem from 2nd Booke. Sir John Souch his Galliard Lute Songs, Lute Solos.
Semper Dowland semper dolens 9.
Dowland, of course, was in Nuremburg inso it is not beyond the realms of possibility that this piece may have originated from him in some sense. UMI Research Press,pp. The problem of enforced registral displacement of the bass line between bars 13 and 14 of the G minor versions the low F is not available on a six-course lute is avoided in A minor settings Example 2although this key requires higher hand positions throughout and generally asks more difficult stretches of the player.
Both settings also exhibit a penchant for virtuosic writing in parallel thirds and sixths and, on occasions such as between bars even duplicate passagework more-or-less verbatim Example 8a. A principal aim of this work has been to identify the types of comparison and analysis that might in future be done by machine and to define the limits beyond which machine-analysis can, or should, not ventureand to provide some kind of benchmark against which such development might be assessed.
Lachrimae Pavan, for keyboard or lute (from “Lachrimae”)
Another instance of a Continental lute arrangement derived from the English G minor version can be found in Fuhrmannascribed to V[alentin] S[trobel]. Streams Videos All Posts. CNRS,pp. Two sources, Hirsch and the fragmentarypreserve another, possibly earlier, A minor setting. It is our belief that the work reported in this paper represents about the limit that could be undertaken manually ladhrimae a reasonable period of time.
Indeed, the clumsy attempt at an inner voice suspension in bar 4iii-iv perhaps a misprint? Nevertheless, a number of salient features are shared between these versions and Rudenone of which are encountered in the English transmission s.
Henry Noel his Galliard The First Book of Consort Lessons. Scanned at dpi grayscale, improved, converted to monochrome. However, ppavan the time Van den Hove added another setting to the Schele lutebook dated 16th Februaryhe had obviously experimented with other models, since the unorthodox AAiBCBiCi layout has been replaced with a more conventional AAiBBiCCi and the contrapuntal template differs somewhat.
However, one should take care not to assume that this is necessarily a successful intabulation of its model, nor that it is an intabulation of a good arrangement. Dowland’s Tears – Lute Music, Vol.
In some later sources, the piece has been adapted for an instrument with additional bass strings. oachrimae
Flow, my tears – Wikipedia
The kind of detailed comparative examination we have begun here on a modest subset of this corpus would only be feasible on the full collection let alone larger corpora with the aid of computer analysis software tools. Besides the derivatives of the English G minor version that were in circulation on the Continent, there were a number of interesting lute settings with no apparent connection with surviving English sources.
This study has only scratched the surface of a large topic and would be hugely enhanced by similar research into the multitude of similarly-transmitted Paavn pieces that were popular across late-sixteenth and early-seventeenth century Europe.
An interesting approach to the English G minor setting can be found in the Thesaurus Harmonicus of the French lutenist Jean-Baptiste Besard Cologne,who spent much of his career in Germany as a lute teacher.
Lachrimae, or Seven Tears (Dowland, John)
Although this research was carried out within the context of a computer-assisted electronic corpus-building project the analysis of the musical material has been carried out entirely manually. The aim of this study, then, is to collate as much of this material as possible and present some preliminary hypotheses regarding in particular the transmission of this piece across mainland Europe.
Valerius could have based his parts pavqn on 2nd Bookeor laxhrimae of any number of derivatives that may have been circulating in manuscript.
Several perplexing unica serve to emphasise the incompleteness of the surviving picture, not least the fascinating F minor lute setting in Eyserttwhich, although tangential to the patterns of transmission identified in this paper, nevertheless seems to be a good, error-free version. Dowland, Arbeau, Pedersen and others.
The version in Thysius compiled? The Fitzwilliam Virginal Book: Transcription for 2 Guitars. Instrumental versions by Dowland include “Lachrimae” for lute, ” Galliard to Lachrimae” for lute and “Lachrimae antiquae” for consort. This page was last edited on 7 Mayat